| David Visentin - Mozart and Shostakovich
      It is a great pleasure to welcome back David Visentin to our 
      festival - his seventh summer of great music making at ArtSpring. We asked 
      him to tell us about the program he and his colleagues are playing on 
      Monday, July 17 2006. It's always an interesting, and challenging, process when one comes to 
      programming music; especially interesting when one is programming for an 
      audience with whom one feels a relationship and kinship that is both 
      emotional and musical. Our concerts on Salt Spring are always special and 
      satisfying for the fact that we feel we are performing for friends; very 
      knowledgeable friends. The most immediate idea behind the programme was, of course, a 
      celebration and, in the case of Mozart and Shostakovich, a 300th and 100th 
      birthday theme. At the same time, it is a pretty basic theme concept and 
      the challenge becomes the specific choices that are made. I think that we 
      have chosen, in the two string quartets, two works that are masterpieces 
      of immense scope and contrast. The choice of the Mozart "Hunt" Quartet K. 458 (1884) was easy, in as 
      much as it exemplifies perfectly the mature balance and brilliance of 
      Mozart's writing. All elements combine in an inspired, sunny, humorous and 
      altogether exquisite four-movement work which could not exist with one 
      more or one less note - a true work of a master's chamber music art. In stark contrast to this, however, is the String Quartet No. 8 by 
      Shostakovich. A profoundly moving, ironic and stark work the quartet 
      couples parodies of patriotic anthems of the Stalinist age with the most 
      personal and vulnerable encrypted lyrical lines (the note letters of 
      Shostakovich's name) revealing a great artist tortured by life and the 
      conditions of living in the repressive Soviet regime. It is performed in 
      five movements without pause and leaves both the performers and audience 
      completely altered and spent. I have had twelve year old boys come up 
      after a performance and declare it the coolest piece they have ever heard. The Chopin Piano Concerto No. 1 is a rare opportunity to perform the 
      work in the manner in which it was likely premiered, that is, in the 
      company of close friends and in the chamber salon of Chopin's home; the 
      composer its soloist. And Catherine Ordronneau is the perfect interpreter 
      for hearing this work in this setting as I am sure the soaring melodies, 
      ravishing harmonies and her deeply beautiful and expressive musicality 
      will captivate the audience. It is truly the greatest pleasure to perform with Kai, Catherine, Paula 
      and Hiroko; they are the most sensitive and generous musicians and 
      colleagues with which to work. Over the years, and because of Salt Spring, 
      we have developed an extremely close rapport and intuitive communication, 
      and I feel that this concert, for whatever inexpressible reason, will be 
      one not to miss. And then there is the encore which will leave us all gasping for air! David, Hiroko, Paula, Kai and Catherine perform at ArtSpring on Monday 
      July 17 2006 at 8:00pm. Please call the Ticket Centre 250-537-2102 or 
      email
tickets@artspring.ca 
      to reserve your tickets ($19 adults; $8 students). Sizzling Summer Nights Festival is sponsored by 
      Pegasus Gallery of 
      Canadian Art. For a special treat, the concession bar features some 
      locally made delicacies from Salt Spring Gelato Delizioso. |